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“I can tell you exactly,” he says, citing the film’s distinctive color script, as developed by then-Disney production designer Richard Vander Wende. Smith’s genie is so blue that it makes you start to wonder how the wish-granting genie of the lamp came to look that way in the first place.Įric Goldberg, who was the supervising animator for the genie in the original 1992 animated Aladdin, had a simple answer for why the Disney genie looks the way he does. He’s blue like Tobias Funke when he attempted to join Blue Man Group in “Arrested Development” blue. He’s blue like Violet Beauregarde after she chewed the experimental gum in Willy Wonka & the Chocolate Factory blue.
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And, as revealed to the world in the movie’s latest trailer, Smith’s version of the fast-talking genie with a heart of gold is undeniably blue. Aladdin not only continued the Disney legacy that up to this point had gotten stronger with films like Beauty and the Beast - it opened up a whole new world of characters and creation for kids and adults alike.Like the late Robin Williams-animated incarnation before him, Will Smith promised that his genie in the Guy Ritchie live-action remake of Disney’s Aladdin would be blue. Musically, few films contain as strong of writing and performing. Stylistically, it’s one of the more vibrant Disney films, melding some computer graphics, such as the Cave of Wonders, with classic hand-drawn characters. The script is captivating, aided by the improv and vocal talents of Williams in his role as the Genie. She refuses to be tied to a man she doesn’t love just for the sake of pleasing her father, even educating the Sultan, Jafar and Aladdin all at the same time that she “is not a prize to be won.” Sadly, that’s exactly what she becomes as Jafar enslaves her (hooray, objectification of women!), uses her sexuality in a risky move to save Aladdin and ultimately ends up choosing to marry the rags-to-riches-to-rags hero when her father voices his approval.īut let’s look at Aladdin from a less analytical view, even though we haven’t even discussed the racial implications of the 1992 film’s representation of Arabs. Jasmine’s disguise as a beggar is far more complementary of her pleas to be allowed the ability to live by her own laws, not those established by the Sultans of old.Ĭould it be - a Disney princess discontent with marriage? Before Frozen and Pixar’s Brave, Jasmine had the promise of being the Feminist’s Princess. And although he may be pompous with his newfound wealth at first, Prince Ali’s style is far more warm, welcoming and akin to his personality than his previous rags. Aladdin becomes a prince with the Genie’s help, blowing into Agrabah with riches. Ironically, disguises do more to reveal the true nature of each character’s fiber. When Jafar needs help from Aladdin, he dresses as an ancient prisoner with bad teeth and a bent back (an allusion to his bent ways?). No Disney film is without its moral for children - that’s what comes through disguise-driven plot. But Aladdin’s story isn’t over yet, and after being used by the royal vizier has a Genie (Robin Williams) and three wishes at his command.
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The depth starts with the plot’s examination of identity and prejudice. Aladdin is a street rat chased down by the guards for stealing his meals. When the Sultan’s restless daughter, Jasmine, escapes the palace dressed as a beggar, she meets the homeless boy before being delivered back into the hands of her father and his power-hunger advisor Jafar. But unlike its brethren, it features a far greater takeaway than simply to find true love as soon as possible. Like most Disney films from the production studio’s golden age, Aladdin is the comedic, musical and romantic retelling of a tale - to steal from another animated classic - as old as time.
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Phenomenal cosmic powers! Itty bitty living space.” – Genie (Robin Williams) “It’s all part and parcel, the whole genie gig.